Concordance

This concordance provides an index to every word in the poems, excluding a list of common "stopwords". It may be useful in finding a half-remembered poem, and perhaps in looking at the usage of words in the poems as a whole. It will be readable only on a large screen.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Q

As the day went on, // // we generated

quantities of fuel // // and built a roaring blaze. Then late into t

peless, navy blue or fawn, // // three-

quarter length, or maybe short, // // patch pockets (useless for cold

Donkeys don’t wear jackets

Dance // // // A

quarter of a mile or more // // straight up // // the Mediterranean

// // pole-to-pole // // in half then

quarters // // cut the core from each. // // But no, for once // //

en the music, // // a Beethoven string

quartet . // // Afterwards Colin and I go down to the basement // //

The century turns. // // Right on cue,

Queen Victoria dies. // // (Next time around, in the digital era //

January Nineteen Hundred and One

painted // // the walls?” // // Fair

question . // //

ted, though the sense is raw, // // to

questions orderly, while exuding care. // // Voices from the curtaine

Type right // // The

quick brown fox jumps over the lazy dog // //

and spittle. // // Oh, people spread!

Quick , guys, an ecstasy of fumbling, // // building the clumsy barrie

y-wide— // // from depot to depot it’s

quick to locate. // // My spirit is with it, along for the ride. //

over Bassenthwaite. // // Walking down

quickly , not paying attention, I // // stumble, fall heavily forward

/ // Which, come the dawn, will surely

quickly pass. // // I’d paint it for you if I had the art, // // Or

side, // // through clear and cool and

quiet evening stillness // // on evening tide. // // Decisions and r

Recorded syllables

ow send a letter. // // Parchment, new

quill pen, and ink. // // Employ a messenger. // // I love you. //

ar // // we listen to Schubert’s Trout

Quintet . // // Listening to Schubert’s Trout Quintet // // the slow

t. // // Listening to Schubert’s Trout

Quintet // // the slow movement is of course the second. // // Of co

and now dispel // // and conjure me to

quite a different place. // // Jump willing into every word-filled we

Jump willing in

The word // // No, the singularity is

quite absurd. // // In the beginning there were many words: // // si

l Tunnel link. // // A monstrous hole,

quite big enough to eat // // the park and all the houses down the st

Peckham 1969—1991

t now be unmasked. // // It’s becoming

quite clear that the hour // // for soft pussy-footing is past. // /

One of our cushions

? // // (Am I now getting warm or am I

quite cold— // // should I rest or take a nap?) // // Relate to me n

The truth about x

or to go? // // Is it really simple or

quite complex? // // Is it plain or hard to know? // // Is it writte

The truth about x

ine from side to side, // // verbosely

quite enough to float or sink a battle-ship. // // But perhaps instea

rst // // grandchild arrived? I can’t

quite recall. Nor can I now // // picture it clearly. So why does i

Good vibrations

ne here, // // with a bar across. Not

quite the biggest // // of its group, but very beautiful. // // What

d, supports // // a wild, tufted crown—

quite unlike // // the planted forest, serried ranks of Christmas pin

shions are missing. // // I don’t know

quite what to say. // // It seems that there must be some rotter //

One of our cushions